Author: Michael L. Naraine | Course: POL341H | Professor S. Clarkson The preservation of Canadian culture amidst the great influence of American radio and television content has always been a difficult issue for Canadian cultural producers and policy makers. With the rapid spread of communications technology in the latter half of the 20th century and [...]
Full Story »Safeguarding the Canadian Broadcast Industry
Visual Narrations and Colonial History – the Myth of the Wilderness and the Imaginary Indian
Author: Emily Paskevics | Course: UNI320 | Professor S. O’Flynn In The Truth About Stories: A Native Narrative, Thomas King outlines the nineteenth-century fascination with and fabrication of “the literary Indian, the dying Indian, the imaginary construct.”[i] These elaborations, King argues, reveal less about “authentic” Native identity than about a foundational “national fantasy,” or what [...]
Full Story »Bohemian or Mammal? Mammalian Diving Reflex Speaks Back to the Creative City
Author: Simon Borer | Course: UNI320 | Professor S. O’Flynn “Are cultural workers being asked to create a livable city, or a happening, overpriced hotspot for exurbanites and tourists, complete with glittering galleries and sparkling bars where artists’ multiples are sold at Holt Renfrew?” – A Suicide Site Guide to the City (O’Donnell 2006, 136) [...]
Full Story »A Myth in the Making: Aboriginal Participation in the Olympics, and Beyond
Author: Aoife Quinn | Course: UNI220 | Professor S. O’Flynn The Vancouver Olympic Committee (VANOC) has incorporated Aboriginal symbols and mythology into their promotional material for the 2010 Olympic Games. This has been accompanied by an action plan for Aboriginal participation in the Olympics, which includes significant financial contributions to Aboriginal nations in the Vancouver [...]
Full Story »Humour and the Development of Canadian Identity in Diana Thorneycroft’s Group of Seven Awkward Moments
Author: Anne McGee | Course: UNI320 | Professor S. O’Flynn Diana Thorneycroft’s series of photographs Group of Seven Awkward Moments and its position in the McMichael Canadian Art Collection reveal the tensions in Canada’s struggle to define itself. This struggle is reflected both in Thorneycroft’s photographs and within the Gallery as a whole. In the [...]
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